Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.  Related Paintings of Anthony Van Dyck :. | Lady Dacre | den helige hieronymus | The Virgin and Child with Donors (mk05) | franz xaver winterhalter | An Apostle |
Related Artists:
Lear, Edward
English Painter and Illustrator, 1818-1888 English painter, draughtsman, illustrator and writer. In the 1860s Lear described himself as 'Greek Topographical Painter par excellence', aspiring to the title of 'Painter-Laureate and Boshproducing-Luminary forthwith' (quoted in 1983 exh. cat., p. 14). This whimsical summary of his versatile activities as topographical draughtsman, oil painter, traveller, writer and illustrator of nonsense rhymes and stories is typical of Lear's idiosyncratic literary style. It reflected his eccentric personality. He was epileptic and prone to fits of deep depression. In addition, owing to family misfortunes,
Moser, Lukas
German Painter, 1390-ca.1434
Eugen Kohlhauer
painted Dreimastbark unter vollen Segeln in 1898